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The Potato Eaters by Vincent van Gogh, 1885

Insights · Campaign Strategy · 7 min read

The First Hundred Days of a Campaign.

The decisions made in the first hundred days shape everything that follows. Most teams waste them. Here is how to spend them well.

Vincent van Gogh, The Potato Eaters, 1885. Van Gogh Museum, Amsterdam.

The first month is not for creative. It is for agreeing in writing what the campaign is trying to change, who must move, and how success will be judged. This is the least glamorous phase and the most consequential. Every disagreement the team does not surface now will surface later, under deadline pressure, when it is twenty times more expensive to resolve.

Once the goal is locked, the next month is for intelligence. What is the current state of the issue? Who holds influence? What narratives are already in motion? This is where landscape analysis, stakeholder mapping, and narrative audit earn their place. A campaign that skips this month is building on whatever the team happened to know on day one.

With goal locked and terrain read, the final third of the window is for building the campaign's architecture. Narrative, messaging pillars, visual direction, activation channels, sequencing. This is the phase most teams try to jump to on day one. Done here, with the foundations in place, it takes a fraction of the time and produces twice the clarity.

InStone EditorialSeptember 2025

Fury of Achilles by Charles-Antoine Coypel, 1737

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